Resurrections from the Dustbin of History
Bloomsbury, 1992, original paperback.
Published in the US by Four Walls Eight Windows 1995 as
THE RESURRECTIONS.
Ernesto
80 miles from Debar, Abyssinia, April 1968:
A miserable wattle hut, rotted twigs bound with festering rags, the
roof of caked dung, the floor the hard rock ground. Roaches scurry
among the inhabitants' dismally few belongings: some rags of clothing,
a few rusted cooking utensils, a couple of Italian pots, a broken clock,
a torn straw mattress. Seven people live here: mother, father, five
children, all gaunt, with aged-looking, wrinkled faces. All are ill,
of one malady or several. Not one has healthy eyes. The children already
bear the telltale distended belly of malnutrition. Flies settle everywhere.
They will not bother to scatter far when slapped, simply move aside
in a horrible communal mass to resettle their infested kingdom.
I, too, am their subject. The only escape is at night, when I can squat,
at the hut's entrance, my rifle strapped to my back, the rolled cigarette
burning down to my lips. Remembering the luxury of cigars! As the family
behind me scrape into their maws the last of the captured Italian K-rations,
then settling down to the `normality' of sleep with their plethora
of sighs and hisses.
What can they dream, these isolated people, eking out their daily struggle
for existence in the furthest clefts of the dying Italian Empire? For
myself, I am home again, in my own way, home among the lost and the
forgotten. Argentina, Cuba, the Gold Coast, Libya or Italian East Africa,
it is the same. The One Enemy, and the battlefield enclosing the earth...
All the riffraff, the fallen, the dispossessed, the shirtless, the
pandess, the shoeless. The barren and the expendable. Those full of
hate, those full of despair, those drained of both hate and despair.
Dwellers of favelas where hopelessness runs like a wide open sewer.
The bohios of endless unrequited labour, the barracones of latinfundist's
slaves. The crop pickers of Central America who wander barefoot over
asphalt and gravel, stone and briar, on their odyssey from one pittance
to another. Squatters, evicted by United Fruit or Union Miniere, scratching
a living outside the fence, collecting the garbage thrown from the
van of capitalism's brave progress. The kraals of indentured South
African workers, the bare tukuls of the Ethiopian peasant. Everywhere
- the malnourished, the sufferers from trachoma, malaria, worms. Everywhere
- the dead, dead of starvation, dead of misery and the fading of hope,
dead of the exploiter's whip and the Coloniser's bullets and shells –
I hear the wind's crack over the sleep of slaves,
a thousand ancient beings, scarred by storms, smoothed by scarlet streams...
1946, in Argentina: The students and workers in the streets of Cordoba,
fighting the false idol Peron… Red blood from cracked heads and
pierced stomachs imprinting the pavements like a surrealist street-artist's
sketch, while up the road in the Presidential Palace the siren Evita
still wooed the descamisados... In the world outside, the Yankee preoccupied
with his Pacific Wars, as he and his Asiatic rival cut wide swathes
through China, Indonesia, the Philippines, battling for their lucrative
markets, until the vultures swooped home to roost in the bombed-out
ruins of Los Angeles and Tokyo... Would the terrible lessons be learnt?
China gains her freedom under Chu Teh... The Japanese withdraw from
the world Imperialist stakes… But Yankee greed - no, that still
knows no bounds...
1954 - Guatemala City: Facing the mercenaries of Castillo Armas. Arbenz,
the nationalist reformer, called on the people too late. There we were,
lit up by our youthful hopes, a few old rifles, two mortars, a clutch
of grenades, against the tanks and planes of Monopoly ... Children
running in the streets clutching carbines they cannot load. Peasants
and workers barricading the streets with their bodies. Again, the red
stains… An old man spreadeagled in the dust, while chickens peck
their way around him… In the jailyards, the fusillades echo… The
sleek North American executives, their patrimony reclaimed, purr in
their limousines down `purified' trails... And again, the sorry path
of exile - Mexico, 1955, at last - Fidel and Raul. The three sticks
of dynamite to be bound together... The sparks, to light a flame which
would burn, for a time... But of those three I am here, alone...
A crunch of sandalled feet from my left. A cigarette end briefly glows
from the next tukul and is then extinguished. Quick eyes gleam in the
dark beside me. A curious man, this exile like myself, but wielder
of a quite different weapon... An Italian, of the Socialist Resistance,
he has trekked six hundred miles with his cameraman and camera to rendezvous
with us on the escarpment. I had heard his name before, but seen none
of his work. Pier Paolo Pasolini. Eight years ago, he outraged the
Duce's censors by presenting on the screen a caricature of the great
leader as an insane rapist. Like so many of his colleagues, exile was
the only option, other than jail or rotting on a far island. Free expression,
to Fascism, is not the decadent playground of the Imperialist nations'
arts, but a threat as lethal as grenades... We had met, Pier Paolo
and I, in Argentina, in the aftermath of yet another Peron Coup, and
then again, in Berlin, at the Party Congress, where the seeds of his
present project were sown… `A new form of document,' he had suggested,
`of a culture we Italians have, in our stupidity and arrogance, tried
to defeat but is defeating us, or, we can rather say, saving us from
our darker side…'
We sit and discuss the tactical situation; neither of us sleeps well
at night. Soon the food we took from Il Duce's 3rd East African Rifles
will be consumed and our small column will have to leave the shelter
of this impoverished village, to play the waiting game elsewhere. In
a thirty-year war, there are inevitable lulls. I may fret, but I cannot
ignore the rooted knowledge of the Ethiopian strategists. As long as
the Italians keep their troops in their barracks in the major towns
the Committee of Equals, the Dergue, which runs the Revolution, prefers
to consolidate its political hold on the country rather than goad the
enemy into retaliation raids. They are not in a hurry, confident as
they are of victory. `Like the desert and the mountains,' says the
old lion Walda Sion, `we have been here a long time.' But what is uncertain
even after victory is the Dergue's control of what follows. Feudalism
and the old Emperor Selassie, ensconced with his caviar in Claridges,
London, might well rear their ugly mane… I have learned to live
with patience, but never to like it, considering the magnitude of the
task ahead, the forces which would yet have to be ruptured even after
the breaking of the stranglehold of Mussolini's Italy - Britain, France,
the United States, and all this with a socialist world wary and weary
of conflict, with both Germany and Russia walking a tightrope of evasion
and appeasement...
We sit, the film maker and I, long into the night, under the canopy
of stars, two strangers on a mountaintop plain in East Africa, waiting
for the new day to dawn...
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